Skip to content
Agentic Levels

Everything starts here.

GuestLocal progress only
PreferencesSign in
01Start with one taskBest first move for beginners.02Check your LevelMeasure where you are.03Score an AI resultFind the habit to practice first.04Return to Your WorkScores, links, and checkpoints.
Start here

Begin

HomeThe main entry point.New to AIStart with one useful task.
Know where you are

Measure

Check your LevelUse this after you have tried AI.Fluency ScoreScore an AI result you can review.
Build the habit

Learn

LevelsLessonsTracks
Find the reference

Library

PromptsReferenceResourcesCompare Tools
Turn it into work

Apply

Your Next MoveChoose what AI should change next.Tool SetupGet the tools ready.
Come back later

Return

Your WorkScores, links, and checkpoints.My PathContinue from your level.Updates
Site

Site

PricingAboutFAQ & FeedbackPreferences

© 2026 Fuentes Studio

Privacy·Terms
yourCouncil
Ready to help
✦

What do you want to understand?

Ask anything about what you're learning.

Tracks›AI for Creative Work
L2Lesson 1Free

Diverge then converge: generate concepts that aren't obvious

After this, you'll be able to run a two-step idea session with Claude: first generate many wildly different concepts without judging them, then narrow and combine them into the few worth pursuing.

Before you start

Complete Pressure-test your brand against competitors first; with your difference clear, this lesson puts it to work generating concepts that are yours, not the obvious ones everyone reaches for.

The idea

The first idea Claude gives you is the idea everyone gets. The good one is usually hiding behind nineteen worse ones.

One safe idea appears first while stranger options stay hidden.
One safe idea appears first while stranger options stay hidden.

Real creative thinking happens in two separate moves, and most people skip the first. The two moves are diverge (generate lots of options, widely, without judging) and converge (narrow down and pick the strongest). Doing both at once is why ideas come out safe.

Why "give me the best idea" fails is that you are asking Claude to diverge and converge in one breath. It plays it safe and hands you the obvious answer. Asked to be excellent in one shot, it gives you the average, because the average is the safest bet.

Diverge first, on purpose. Ask Claude for twenty concepts, deliberately different from each other, including a few strange ones, with no judging yet. Quantity is the goal here, not quality. You are widening the field so the surprising idea has room to show up.

Then converge, as a second step. Now you switch hats. You pick the three that spark something, tell Claude why, and ask it to push those further or combine two into one. Judging belongs here, after the options exist, never before.

Here is the before and after: Someone asks "what is a good campaign idea for my tea shop" and gets "cozy autumn vibes," which is fine and forgettable. Someone else asks for twenty wild directions, spots "a tea for every bad day," and builds a whole honest, funny campaign from the one nobody expected.

Make the bad ideas first by diverging wide, then put your judgment to work converging, because the idea worth using rarely arrives first or alone.

Diverge then converge: generate concepts that aren't obvious mapThe concept system works when input, review, and human taste stay connected.
Idea briefThe brand, draft, idea, or job before the lesson shapes it.
Concepting passThe AI-assisted pass that makes options, structure, or direction.
1Originality and fit checkThe proof step that keeps the result from becoming generic.
You'll generate wide, then narrow, to reach ideas worth usingThe finished creative artifact you can inspect and reuse.
Creative decision or handoffThe point where taste, stakes, and context decide what happens next.

Try it (10 min)

Watch out for

  • Asking for 'the best idea' in one go. That collapses diverging and converging together, so Claude hands you the safe, obvious answer every time.
  • Judging during the diverge step. The moment you start ranking, the strange options stop coming; keep judgment out until you have a wide field.
  • Stopping at five concepts. The surprising idea usually shows up past number ten, so push for real quantity before you narrow.
  • Grabbing the first idea that is 'fine.' Fine is the average; the idea worth using is the one you pick on purpose after seeing the range.

Paste this into Claude

I want to run a proper two-step idea session with you, not get one safe answer. We will diverge first, then converge.

What I need ideas for: [DESCRIBE, e.g. "a launch campaign for my handmade candle brand"].
My brand in one line (voice + what makes me different): [FROM MODULE 1, or describe].

Step 1 (diverge): give me 20 concepts that are deliberately different from each other. Include a few strange or risky ones. Do NOT judge or rank them yet. One line each.

After I read them I will pick a few, and then we do Step 2 (converge): I tell you which ones spark something and why, and you push those further or combine two into one stronger idea.

Created by potrace 1.16, written by Peter Selinger 2001-2019 What a good response looks like

Here is the two-step session, for a candle brand:

**Step 1, diverge (20 quick directions, no judging):**
1. A scent for every room of a memory.
2. Candles named after specific rainy days.
3. "Burn this when you need to leave the party early."
4. Scents that smell like places that no longer exist.
5. A candle that is also a permission slip to rest.
... (15 more, including a few odd ones)

**Step 2, converge (after you pick):**
You loved 3 and 5. Both are about giving yourself permission. Combined idea: a small collection called "Off Duty," each candle a permission slip in scent form, with a one-line note on the label. That came from the strange options, not the safe "cozy candles for autumn" you would have shipped otherwise.

Created by potrace 1.16, written by Peter Selinger 2001-2019 What good looks like

  • You ran diverge and converge as two separate steps, not one combined request
  • You got at least 15 to 20 genuinely different concepts before any judging happened
  • You picked a few that sparked something and told Claude why, instead of grabbing the first
  • Your final idea came from pushing or combining the surprising options, not the obvious one

When this breaks

  • Breaks when you ask Claude to be brilliant in one shot. With no room to generate widely, it returns the center of the road, because that is the safest single answer.
  • Breaks when you never converge. Twenty ideas with no judgment is a pile, not a direction; the second step, where your taste picks and combines, is what turns options into a concept.

AI can help with this

Use Claude, ChatGPT, Gemini, Canva, Adobe Express, Firefly, Midjourney, Codex, or another approved creative tool based on the job. Give the assistant real brand context, examples, exclusions, and a review standard, then use human taste to choose what survives.

Many divergent options fan out, then converge into the surprising concept.

Created by potrace 1.16, written by Peter Selinger 2001-2019 You can now

✓

You can complete the lesson outcome against a real creative job, brand, asset, or campaign.

  • ✓You ran diverge and converge as two separate steps, not one combined request.
  • ✓You got at least 15 to 20 genuinely different concepts before any judging happened.
  • ✓You picked a few that sparked something and told the creative assistant why, instead of grabbing the first.
  • ✓You can verify that your final idea came from pushing or combining the surprising options, not the obvious one.

Key takeaways

Strong concepts come from two separate moves: diverge to generate many wild options without judging, then converge to pick and combine with your taste. Asking for the best idea in one breath only gets you the obvious one.

  1. 1Diverge means generating many options widely without judging; converge means narrowing to the strongest.
  2. 2Asking for 'the best idea' at once collapses both moves, so Claude returns the safe, obvious answer.
  3. 3Diverge first: ask for twenty deliberately different concepts, including strange ones, with no ranking.
  4. 4Converge second: pick the few that spark something, say why, and push or combine them.
  5. 5The idea worth using rarely arrives first; it usually hides behind the worse ones you make on the way.

Created by potrace 1.16, written by Peter Selinger 2001-2019 Go deeper

  • Name it: products, campaigns, and features (name the concept you picked)
  • Headlines, taglines, and copy that doesn't sound like AI (write the concept up)

Was this helpful?

Up nextName it: products, campaigns, and features→
← Back to AI for Creative Work